TORN TO THE BONE
                          As recorded by Six Feet Under
                          (From the 1995 Album HAUNTED)

Words by Chris Barns

Music by Allen West
Transcribed by James Williams (Inverted)

Gtr I (D G C F A D) - 'Untitled'
Gtr II (D G C F A D) - 'Untitled'

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 Intro
  Brutal Death Metal Q=94
  $$
  E5       F5C5B5E5       F#C#C5  E5        F5C5B5F#F5C5B5C5F5
 4/4
  Gtr I
  PM-----|       PM-----|         PM------|
           |-3-|          |-3-|             |-3-| |-3-| |-3-|
  E T  T S E E E E T  T S E E E   E T   T S E E E E E E E E E
|-------------------------------|-----------------------------|
|-------------------------------|-----------------------------|
|----------5--------------6-----|-----------5-----6-5-------5-|
|----------3-5-4----------4-6-5-|-----------3-5-4-4-3-5-4-5-3-|
|-2----------3-2-2----------4-3-|-2-----------3-2-----3-2-3---|
|-0-0--0-0-------0-0--0-0-------|-0-0---0-0-------------------|
|
| Gtr II
| E Q.           E Q.             E H..
|-------------------------------|-----------------------------|
|-------------------------------|-----------------------------|
|-------------------------------|-----------------------------|
|-2--------------2--------------|-2---------------------------|
|-2--------------2--------------|-2---------------------------|
|-0--------------0--------------|-0---------------------------|


   Verse
    $
    E5      F5C5B5E5      F#C#C5  E5      F5C5B5F#F5C5B5C5F5
    Gtrs I, II
    PM----|       PM----|         PM----|
            |-3-|         |-3-|           |-3-| |-3-| |-3-|
    E T T S E E E E T T S E E E   E T T S E E E E E E E E E  4x
||------------------------------|----------------------------||
||o-----------------------------|---------------------------o||
||----------5-------------6-----|---------5-----6-5-------5--||
||----------3-5-4---------4-6-5-|---------3-5-4-4-3-5-4-5-3--||
||o-2---------3-2-2---------4-3-|-2---------3-2-----3-2-3---o||
||--0-0-0-0-------0-0-0-0-------|-0-0-0-0--------------------||


   Chorus                                Brum Fill
                                      D.S.
                                      D.S.
    E5      F5      F5      C#G5B5         E5
      PM--|   PM--|   PM--|
                            |-3-|
    E T T S E T T S E T T S E E E  4x      W          +W      4x
||---------------------------------||-||------------|---------||
||o-------------------------------o||-||o-----------|--------o||
||---------------------------------||-||------------|---------||
||--------------------------6---4--||-||---2--------|-(2)-----||
||o-2-------3-------3-------4-5-2-o||-||o--2--------|-(2)----o||
||--0-0-0-0-1-1-1-1-1-1-1-1---3----||-||---0--------|-(0)-----||


            C5  B5        G5  F5
    PM----|   PM  PM----|   PM
            |-3-|         |-3-|
    E T T S E E E E T T S E E E
||------------------------------|
||o-----------------------------|
||------------------------------|
||----------5---4---------------|
||o---------3---2---------5---3-|
||--0-0-0-0---0---0-0-0-0-3-0-1-|


          C5
  PM----|   PM--------------------------------|
          |-3-|
  E T T S E E E T T T T T T T T T T T T T T T T
|------------------------------------------------||
|-----------------------------------------------o||
|------------------------------------------------||
|---------5--------------------------------------||
|---------3-------------------------------------o||
|-0-0-0-0---0-0-4-4-4-4-4-4-4-4-1-1-1-1-1-1-1-1--||


   Verse II
            G#5 G5        F5G5F5          G5    C#5C5/G
    PM----|   PM  PM----|         PM----|   PM|
            |-3-|         |-3-|           |-3-|
    E T T S E E E E T T S E E E   E T T S E E E Q  Q
||------------------------------|----------------------||
||o-----------------------------|---------------------o||
||------------------------------|----------------------||
||------------------------------|---------------6--5---||
||o---------6---5---------3-5-3-|---------5-----4--3--o||
||--0-0-0-0-4-0-3-0-0-0-0-1-3-1-|-0-0-0-0-3-0-0-4--3---||


            C5  B5        G5  F5
    PM----|   PM  PM----|   PM
            |-3-|         |-3-|
    E T T S E E E E T T S E E E
||------------------------------|
||o-----------------------------|
||------------------------------|
||----------5---4---------------|
||o---------3---2---------5---3-|
||--0-0-0-0---0---0-0-0-0-3-0-1-|


                                                   End
                                      D.S.S. al Coda
                                                    &
          C5                                         E5
  PM----|   PM--------------------------------|
          |-3-|
  E T T S E E E T T T T T T T T T T T T T T T T      E H..
|------------------------------------------------||-----------*|
|-----------------------------------------------o||-----------*|
|------------------------------------------------||-----------*|
|---------5--------------------------------------||--2--------*|
|---------3-------------------------------------o||--2--------*|
|-0-0-0-0---0-0-4-4-4-4-4-4-4-4-1-1-1-1-1-1-1-1--||--0--------*|


Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths


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