/---------------------------------------------------------------------------

/ The following is the author's own interpertation of the song, to be used -

/ for studying or private use only                                         -

/---------------------------------------------------------------------------

downloaded from Displacer's Death Tab

http://www.superlink.net/~ferris/deathtab.htm



#----------------------------------PLEASE NOTE---------------------------------#

#This file is the author's own work and represents their interpretation of the #

#song. You may only use this file for private study, scholarship, or research. #

#------------------------------------------------------------------------------##

From: psw@dcs.ed.ac.uk (Peter Wishart)

Date: Sun, 4 Jun 1995 10:55:23 GMT

Subject: TAB: "Inpropagation" by Carcass



Inpropagation by Carcass

From the album "Necroticism - Descanting the Insalubrious" 

Transcribed by Peter Wishart



Yo, carcass fans! Necroticism is my favourite album of all time so

here is the first track INPROPAGATION, all 6 mins of it. A couple of

the solo bits are a bit touch-and-go but the cool riffs'n'things

should be spot on...:) Mail me with any suggestions/improvements/

comments/etc at psw@dcs.ed.ac.uk as I dont read the tab newsgroups

much. I think i'll do HEARTWORK next, or maybe HUMAN JIGSORE QUANDARY 

(but that one is almost TOO atonal in places :) 



Guitar tuned 5 steps lower - B E A D F# B low to high (although I 

suppose it could be B E A D G B to match a 5-string bass but that

complicates things :)



 

                   _full                        _1/2_

Notation legend: 3'      is a full tone bend, 3'     ` is a semitone

bend and release. The [ lines separate the alternate endings for a

bar.  is palm muting,  is left hand muting. And / is a

slide up, \ is a slide down.





spooky intro bitty...



                                       High and low synths arr. for guitar

 Continous Droning tremolo arm bombs..                                 x5

|-------------------------------------|-0-1-0-4-0-1-0-4-0-1-0-4-0-1-0-4-|

|0\-----------------------------------|---------------------------------|

|0\\-etc.-----------------------------|---------------------------------|

|0\\----------------------------------|-2-----------------------0-------|

|--\----------------------------------|---------1-------0---------------|

|-------------------------------------|---------------------------------|

 (I don't have a tremolo arm so this

  is just a guess :( )



                          1 2    w/heavy p.m              1 2 

|------------------------[---------[---|-------------------------[--------[---|

|------------------------[---------[---|-------------------------[--------[---|

|------------------------[---------[---|-------------------------[--------[---|

|9\8-----7\6-----5\4-----[---------[---|-------------------------[--------[---|

|7\6-----5\4-----3\2-----[---------[-2-|7766----5544----3322-----[--------[-2-|

|----6-7-----4-5-----2-3-[-0-0-0-0-[-0-|----6677----4455----2233-[0-0-000-[-0-|



(%)              1            2             3       4

|---------------[------------[-------------[--------------------[--------------|

|---------------[------------[-------------[--------------------[------------9-|

|---------------[------------[-------------[--------------------[-----------9--|

|9-------6---5--[---4--------[---/10-9-----[-4------------------[---/10-9--9---|

|7-----5-4-4-3--[-3-2-2------[-3-/8--7-----[-2-3-2-2-2-2-2-2-2--[-3-/8--7------|

|--0-0-3---2----[-1---0------[-1-----------[---1-0-0-0-0-0-0-0--[-1------------|



                                     1,3    2,4

|----------------------------------[--------[--------|

|----------------------------------[--------[--------|

|----------------------------------[--------[--------|

|9-------6---5-4----9-------6---5--[-3------[-8------|

|7-----5-4-4-3-2-3--7-----5-4-4-3--[-1------[-6------|

|--0-0-3---2-----1----0-0-3---2----[--------[--------|



 w/synth+overdubs

|------7-------------------------5--------------------------------|

|----7--8-7--------------------5--6-5-----------------------------|

|---9-9----9------3-4-3----7--7-7----7----------------3-----------|

|9------------6--6-6---6---7-----------8-----2--------3-----------|

|7------------6---------6--5-----------8-----2--------1------4--3-|

|0------------4------------------------6-----0---------------2--1-|



|------7-------------------------5--------------------------------------|

|----7--8-7--------------------5--6-5-----------------------------------|

|---9-9----9------3-4-3----7--7-7----7-10-1210-1210---------3-----------|

|9------------6--6-6---6---7-----------10-----------2-------3-----------|

|7------------6---------6--5-----------8------------2-------1------4--3-|

|0------------4-------------------------------------0--------------2--1-|



 (#)                        

|----------------------------|--------------------------------------|

|----------------------------|--------------------------------------|

|----------------------------|--------------------------------------|

|9--------6---9-------6---10-|-9-----------6----9----------6----10--|

|7--5--3--4---7--5--6-4-8-8--|7-7--5---3--4-4--7-7--5---6--4--8--8--|

|---3--1---------3--4---6----|----3-3-1-1----------3-3--4-----6-----|

 x2                                     1    2 

|----------------------------|------------------------------------[----[---|

|----------------------------|------------------------------------[----[---|

|----------------------------|------------------------------------[----[---|

|9--------6---9-------6---10-|----------------6--------------6----[-10-[---|

|7--5--3--4---7--5--6-4-8-8--|-------5--------4--------5---6-4--8-[-8--[-3-|

|---3--1---------3--4---6----|000000-3-000000---000000-3---4----6-[----[-1-|



                                                                           (*)

|----------------------------------------------------------------------------|

|----------------------------------------------------------------------------|

|----------------------------------------------------------------------------|

|-------------------------------------------------------------------------2--|

|-----------/8--------------------------/5--------------------------8--3-5-2-|

|00000000000--666666666666\-000000000000--666666666666-000000000000-6--1-3-0-|



                              Lead fills over the tab from (%) to (#) 

|---------------------------|--------------------------------------------------|

|---------------------------|--------------------------------------------------|

|---------------------------|--------------------------------------------------|

|9\8-----7\6-----5\4--------|--12h15p12--12------------------------------------|

|7\6-----5\4-----3\2------2-|----------14--14-12\11--11------------------------|

|----6-7-----4-5-----2-3--0-|----------------------13--13-12-10-12h13-12\10/12-|



 

|-----------------------------------------------------------------------------|

|-----------------------------------------------------------------------------|

|-----------------------------------------------------------------------------|

|-----------------------------------------------------------------------------|

|-----11h12p11-------12h14h15p14p12----11h12h14p12p11-------------------------|

|12h13--------12---13----------------12---------------12-13-12-10-12----------|





|------19p16-------------------------------------|

|----18-----18-------------18---17h20p17--17~~~--|

|--19---------19p16--16h19--------------19-------|

|18----------------18----------------------------|

|------------------------------------------------|

|------------------------------------------------|



                             _full_

|--------------------------------------------|------------17'------`----------|

|15-13-12-------------------------12-15-17h20p17~~~-15h17------------17p15h17-|

|--------14-13--------------13-14------------|--------------------------------|

|-------------15-14-12-14-15-----------------|--------------------------------|

|--------------------------------------------|--------------------------------|

|--------------------------------------------|--------------------------------|



The rhythm figure from (%) keeps going for 3 more bars, ending at (#)





Solo:Compost humous horticulture

 E5           G#5              D5             A#5

|------------------_full----------------------------------|

|---------7h8---10'-------10-8-----------------7-7h8p7-7--|

|-9~~~-------------------------7~~~---777---9---------9---|

|------------(10)-----------------------------------------|

|---------------------------------------------------------|

|---------------------------------------------------------|



 E5           G#5  _full_       D5                E#5   _1/2_            (p.s)

|---------------10'------`----8-7---777-8-10-------7--7'-----`-----|----------|

|---------7h8--------------------------------10-10-------------10--|----------|

|-9~~~-----------------------------------------------------------10\9-----x\--|

|------------(10)--------------------------------------------------|2-----x\\-|

|------------------------------------------------------------------|2-----x\\-|

|------------------------------------------------------------------|0-------\-|



Play from (#) to (*) then:

    Riff B                                   x2

~--|-------------------------------------------|

~--|-------------------------------------------|

~--|-------------------------------------------|

~--|-----2-3---3--------------2-3--------/10-9-|

~-2|-----0-1---1--5-3-2-------0-1--5-3---/8--7-|

~-0|-0-0----------3-1-0---0-0------3-1---------|



w/Riff B Solo: Humanure

|------------7h12p7--------------------------------------|

|----------8--------8------------------------------------|

|--------9------------5/7~~~----9h10p9--7--6h7p6---------|

|------9------------------------------------------8\7/8--|

|-7-10---------------------------------------------------|

|--------------------------------------------------------|



 

|-------------------------------------------767777-121212-10h12h13~~~---|

|------------------------------------878888-----------------------------|

|-----------------------------989999------------------------------------|

|----------------------989999-------------------------------------------|

|--767777--10910101010--------------------------------------------------|

|-----------------------------------------------------------------------|





|-/22~~~p19-----------------------22~~~(19)----------6/12-15-12-13----------

|/---------20----------------17/21--------20----------|-----------15-12-13--

|------------21-17~~~---14h17---------------21/22-----|---------------------

|-----------------------------------------------------|---------------------

|-----------------------------------------------------|---------------------

|-----------------------------------------------------|---------------------





--------------------------------------------------|------

-15/18\15-13-12-13-15-13-12--12-------------------|------

---------------------------14--14-12-14/16-14-12--|------

------------------------------------------------15|14~~~-

--------------------------------------------------|------

--------------------------------------------------|------



 (!)                                  

|-----------------------------------------------------------------------|

|------------------------------------------------13--12h13p12-----------|

|------------------------------------------------12--12-------12--------|

|2--6-5---------5--5\---9/10-7\6--/13--12------------------------12~~~--|

|2--6-5---------5--5\---7/8--5\4--/11--10--10-10------------------------|

|0--4-3--3-3-3--3--3\---------------------------------------------------|



                                      

|----------------------------------------------------------------15~~~--|

|------------------------------------------------13--12h13p12----15~~~--|

|------------------------------------------------12--12-------12--------|

|2--6-5---------5--5\---9/10-7\6--/13--12-------------------------------|

|2--6-5---------5--5\---7/8--5\4--/11--10--10-10------------------------|

|0--4-3--3-3-3--3--3\---------------------------------------------------|



                  1         2 

|-----------------------------------------------[---------[--------|

|-----------------------------------------------[---------[--------|

|-----------------------------------------------[---------[--------|

|--------6------------6------------6------------[-6-------[------3-|

|--------4-6----------4-5----------4-6----------[-4---5---[--------|

|31013101--4-31013101---3-31013101---4-31013101-[---0-3---[-0-3-4--|



 x4 (second two times with roots+fifths

|-----------------------------------|       i.e. power chord shapes)

|-----------------------------------|

|-----------------------------------| Play from (!) to here

|---------3-2-------------3-2-------|

|-----5-4---------------------4-5---|

|-0-6---------3-4---0-3-4---------6-|





 x2

|-----------------------------------------|

|-----------------------------------------|

|-----------------------------------------| Play Riff C x4, Riff D, Riff D1

|-----------------------------------------|

(333|6)6-6-6--6-4-4-4--444-5-5-5--5-3-3-3-|

(111|4)4-4-4--4-2-2-2--222-3-3-3--3-1-1-1-|

  ^2nd time

                 

~---------------|--------------------------------------------------------|

~---------------|--------------------------------------------------------|

~---------------|--------------------------------------------------------|

~---------------|----------------3/4-4/5-5/6-----------------7\6-6\5-5\4-|

~-444/5--5--3-3-|2-------3\2-----1/2-2/3-3/4-5-------6\3-----5\4-4\3-3\2-|

~-222/3--3--1-1-|0-0-0-0-1p0-0-0----0---0----3-3-3-3-4\3-3-3----0---0----|



Play Riff E1, Riff C1, Riff E x2



 Outro      p.m                           p.m

|----------------------------------------------------------------------------|

|----------------------------------------------------------------------------|

|----------------------------------------------------------------------------|

|2--------------7\6-6\5---------------9---------7---6------9\8-----7\6-------|

|2--------------5\4-4\3---2-3---------7-------6-5-5-4------7\6-----5\4-----2-|

|0----------0-0----0------0-1-----2-3-----0-0-4---3------------7-5-----3-5-0-|



|-----------------------------------|

|-----------------------------------|

|-----------------------------------|

|-2---------2---------2---------2---|

|-2---------2---------2---------2---|

|-0---------0---------0---------0---|







A body is commited to a public mortuary. Any victim of sudden or unexpected

death will be brought in for a post-mortem by a pathologist : their job is to

establish the cause of death. But sometimes a body is unrecognisable. Then it

is vital, especially if murder is suspected, to establish identity...





Insipid fumes bellow from the atrabilious chimney

Whilst in the sanctified crevet I calmly pillage and rake

For hot dry powdered human slag

Still steaming in the crematorium's gate



Bio-organic ebullition, bones tar, tallow dehydrates

For my deleterious horticulture so that I may cultivate



Your mortal mechanism dies - in nutrients rich

In the hallowed turf you lie - just for the taking



Charred sinew's as good as lime, no phosphates do I need

Deteriorated flesh used as top-soil, to replenish and nourish seed

Spreading the human potash, as ash matured

Recycling my rich harvest, bring out your dead - for use as manure



Irrigating tears are shed, but the ground must still be fed,

And there's no rest for the dead



Tipping and dusting up the spilt contents of urns

Every morsel that glows as embers on the fire

Extinguishing all hope of beatrific dispatch

These charred chassis desired



Exequiet rites now performed, a coronach sooting up the flu

Enter my execrable inferno, even in the afterlife there's work to do



The nitrogen content's high - but the flesh is weak

At the graveside mourners cry - your're never to wake again



Burnt brisket renews the ground, to germinate my seed

Cremated bodies are my spoil, to use them as plant feed

Ploughing this abhorrent human manure

Seedling my rich harvest, bring out your dead - for the soils to devour



Dry the dead are bled, because the ground must be fed,

And there's still no rest for the dead



I propagate - dust in the grate



Ashes to ashes - dust to dust, diluted in water and sprayed on crops,

Charcoal, fats, flesh and soot fetilising pasture with active fertile rot



Incumbent - latent calories are spent



Ashes to ashes - dust to dust, renewing the land with corpses corrupt

Mortuary scrapings, hearses a must, to the hot hearth the deceased are trussed



Harvesting the defouled, to fertilise my soil

Rejuvenating the spent with my fecundate spoils



Reaping the gone, to nourish the land

Replenishing exhausted pasture with my uncanny sleight of hand

Restoring the natural balance, sowing my seed

Dafalcating the departed, I rapt and glean...



So I recite my contrite lament, lacrimation for the dead

Their rest which I disturb...

Where should stand row upon row of cold grey remebrance stones

My cash crops now grow...