#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#Unless specified otherwise, this is NOT an official tab from the band members.#
#------------------------------------------------------------------------------#

  Visit MetalTabs.com for more metal tablature
  
Band:  Nile
Album: In Their Darkened Shrines
Song:  Churning The Maelstrom

Copyright (c)  (Relapse) (2002)
Version 2.0 - (10/01/04)

Transcribed By: John Mansley
Email:          john@smansley.freeserve.co.uk


.  - palm mute           /  - slide up to
\  - slide down to       ~  - vibrato
h  - hammer on           b  - Bend
p  - pull off            Suffixes for bend
t  - tap                 f  - full bend    h - half bend
ph - pinched harmonic    q  - quarter bend t - tap bend
*  - see comment         ^  - Hold bend    r release bend
x  - Stuccatto           ~  - vibrato bend
,  - slight palm mute    () - ghost note, sustained note
"  - tremolo note        <> - Trill

Tunning: A E A D F# B


Intro:

|-----------------|
|-----------------|
|-----------------|
|-----------------|
|-4-3-1-0-4-3-1-0-|
|-4-3-1-0-4-3-1-0-|
  . . . . . . . .


Riff A:

|------------------|------------------|
|------------------|------------------|
|------------------|------------------|
|------------------|------------------|
|------------------|------------------|
|-4444444444444444-|-3333333333333333-|
 ____________________________________
                                    1|
|------------------|------------------|
|------------------|------------------|
|------------------|------------------|
|------------------|------------------|
|------------------|------------------|
|-4444333333331111-|-1111000011113333-|
 ____________________________________
                                    2|
|------------------|------------------|
|------------------|-------------ph---|
|------------------|-------------5bh--|
|------------------|------------------|
|------------------|------------------|
|-4444333333331111-|-11110000---------|


Verse:                                 ____________________________
                                                                  1|
|------------------|------------------|-------------------|---------|
|------------------|------------------|-------------------|---------|
|------------------|------------------|-------------------|---------|
|10----------------|-8----------------|10--------8--------|/7---6-3-|
|-8----------------|-6----------------|-8--------6--------|---------|
|--000000000000000-|--000000000000000-|--0000000--0000000-|/7---6-3-|
   ...............    ...............    .......  .......

 _______________________
                       2|
|------------|-----------|
|------------|-----------|
|------------|-----------|
|-6--4--3--1-|-1--0--0---|
|------------|-----------|
|-6--4--3--1-|-1--0--0---|


Rhy. Fill 1:

|--------------------|
|--------------------|
|--------------------|
|--------------------|
|-666--999--666--333-|
|-666--999--666--333-|
  ...  ...  ...  ...


Chorus 1: (those are 10's)
                    _____________________  __________________
                                        1|                  2|
|------------------|----------------------|-------------------|
|------------------|----------------------|-------------------|
|------------------|----------------------|-------------------|
|------------------|----------------------|-------------------|
|------------------|----------------------|-10----9----7----6-|
|-7777777766666666-|-10101010999977776666-|-10----9----7----6-|
  ................    . . . .............    .    .    .    .


Chorus 2:
                    ________________________  __________________
                                           1|                  2|
|------------------|-------------------------|-------------------|
|------------------|-13h14p13\11-11h13p11\10-|-------------------|
|------------------|-------------------------|-------------------|
|------------------|-------------------------|-------------------|
|------------------|-------------------------|-10----9----7----6-|
|-7777777766666666-|-------------------------|-10----9----7----6-|
  ................                              .    .    .    .


Riff B:

|------------------|-----------------|
|------------------|-----------------|
|------------------|-----------------|
|------------------|---------------7-|
|-000-003----------|-000-003-000---5-|
|-000-003-00356568-|-000-003-000-----|
  ... ... ........   ... ... ...


Rhy. Fill 2:

|--------------------|
|--------------------|
|--------------------|
|--------------------|
|-666--666--666--666-|
|-666--666--666--666-|
  ...  ...  ...  ...


Riff C: I'm a little uncertain about this one because the first bar
        is quite hard to hear on the CD


|------------------|------------------|-----------------------|
|------------------|------------------|-----------------------|
|------------------|-11-7-6-3-7-6-3-2-|-----------------------|
|------------------|------------------|-----------------------|
|------------------|--9-5-4-1-5-4-1-0-|-5685-6896-89118-------|
|-4444333311110000-|------------------|-----------------79107-|


Rhy. Fill 3:

|------------------|
|------------------|
|------------------|
|------------------|
|------------------|
|-4444333311110000-|


Riff D:

|-----------------|-------------------|--------------------|
|-----------------|-------------------|--------------------|
|-----------------|-------------------|--------------------|
|-----------------|-------------------|-9-10-12-13---------|
|-----------------|-5-6-8-9-8-9-11-12-|--------------------|
|-0-1-3-4-3-4-6-7-|-------------------|------------0-1-3-4-|
  . . . . . . . .   . . . . . .  .  .   .  .  .  . . . . .

|-----------------|----------------------------------|
|-----------------|----------------------------------|
|-----------------|----------------------10-11-13-14-|
|-----------------|-----------9-10-12-13-------------|
|---------5-6-8-9-|-8-9-11-12------------------------|
|-3-4-6-7---------|----------------------------------|
  . . . . . . . .   . .  .  . .  .  .  .  .  .  .  .


Rhy. Fill 4:

|---------|---------|
|---------|---------|
|-9-------|-8-------|
|-8-------|-7-------|
|-7-------|-6-------|
|---------|---------|


Solo Backing 1:

|--------------------|--------------------|
|--------------------|--------------------|
|--------------------|--------------------|
|--------------------|--------------------|
|-666--666--666--666-|-666--666-----------|
|-666--666--666--666-|-666--666--6/7--6-3-|
  ...  ...  ...  ...   ...  ...


Solo Backing 2:

|---------------------------|
|---------------------------|
|---------------------------|
|-------------------9101213-|
|-5689-68911-891112---------|
|---------------------------|


A couple of points about the solo.  For the octave part I think that
Karl uses his whammy bar but only very slightly.  However, I think it
sounds OK without it.

Also, the bar marked with an asterisk is practically inaudible on the
CD but I think that its something close to what I've tabbed.  You'll
probably notice that the next bar is difficult to get to in time
without a lot of excess string noise but unfortunately that's the
problem with a solo with two guitarists playing different parts!

If this part becomes too meddlesome or irritating I suggest that you
just do a long finger slide down the thicker strings with some whammy bar
dives.


Solo:

     grad bend

|----------------|----------------|----------------|--------------|
|----------------|-^---^---^---^--|-^---^---^---^--|--^--^--^--^--|
|-12bh-----------|----------------|-~---~---~---~--|-12-12-12-12--|
|----------------|----------------|----------------|--------------|
|----------------|----------------|----------------|--------------|
|----------------|----------------|----------------|--------------|

                                               grad release
|--------------|----------------|----------------|----------------|
|--^--^--^--^--|-^---^---^---^--|-^---^---^---^--|----------------|
|-12-12-12-12--|-~---~---~---~--|-~---~---~---~--|------------r---|
|--------------|----------------|----------------|----------------|
|--------------|----------------|----------------|----------------|
|--------------|----------------|----------------|----------------|


|-------------|-------------|-------------|--------------|
|-15-16-16-16-|-15-15-15/18-|-16-15-16-15-|-15-15/16-15~-|
|-------------|-------------|-------------|--------------|
|-12-13-13-13-|-12-12-12/15-|-13-12-13-12-|-12-12/13-12~-|
|-------------|-------------|-------------|--------------|
|-------------|-------------|-------------|--------------|


|------------|----------------------------|-14----13~~--111314-|
|-~~~~----78-|108101110111311131413141617-|--------------------|
|------------|----------------------------|--------------------|
|-~~~~-------|----------------------------|--------------------|
|------------|----------------------------|--------------------|
|------------|----------------------------|--------------------|

                     x3                  x2
|-17181718171817182118-|-21p18----------18-|-21p18-------------|
|----------------------|------18------18---|------18------18~~-|
|----------------------|--------19--19-----|--------19--19-----|
|----------------------|----------20-------|----------20-------|
|----------------------|-------------------|-------------------|
|----------------------|-------------------|-------------------|

 *                   t           t
|-----------------|-22p17p15p14-21p16p14p13-|
|-----------------|-------------------------|
|-----------------|-------------------------|
|-865-----865-----|-------------------------|
|-----754-----754-|-------------------------|
|-----------------|-------------------------|
  ... ... ... ...

This next bar is like a 'tapped trill' and is just very fast tapping
(tap about 4 times per tabbed trill) with a single note as anchor.

      t      t      t      t x3     t      t      t   t
|-17<22>-17<22>-17<22>-17<21>-|-17<22>-17<22>-17<22>-22p17p15p14-|
|-----------------------------|----------------------------------|
|-----------------------------|----------------------------------|
|-----------------------------|----------------------------------|
|-----------------------------|----------------------------------|
|-----------------------------|----------------------------------|


Rhy. Fill 5:

|-------------------------|
|-------------------------|
|-------------------------|
|-7/8\7-7/8\7-7/8\7-7/8\7-|
|-5/6\5-5/6\5-5/6\5-5/6\5-|
|-------------------------|


Ending:
                                                 fade
|---------------|---------------|---------------|---------------|
|---------------|---------------|---------------|---------------|
|---------------|---------------|---------------|---------------|
|-0-------------|---------------|---------------|---------------|
|-0-------------|---------------|---------------|---------------|
|-0-------------|---------------|---------------|---------------|




Song Structure:

Intro           x2
Riff A
Verse           x2
Rhy. Fill 1
Chorus 1        x2
Verse           x2
Chorus 2        x2
Riff B          x2
Rhy. Fill 1
Riff B          x2
Rhy. Fill 2
Riff C          x2
Rhy. Fill 3
Riff D          x3
Rhy. Fill 4
                    _
Verse           x2   |
Rhy. Fill 2          |
Verse                | Solo played over this section
Solo Backing 1       |
Solo Backing 2  x4  _|

Riff A
Verse
Chorus 1        x2
Rhy. Fill 5
Solo Backing 2  x3
Ending


It should all be there.  Any comments, corrections or
suggestions are welcome.


END


            

Comments

Be the first to comment on this tab!

User Comment Date
You need to login to add to bookmarks
Other versions

3 - Guitar

4 - Guitar

Rating
Rating (0) , Rated= 0
You have to be registered to rate